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Article Listing:

The Art Of The Ad Lib

Tagging

Missing the Magic

Just Getting Warmed Up

The Trump Cards

The Touchy Stuff:
How to Handle Edgy Scenes

The Unspoken Contract: How to Keep Your Audience Satisfied

Method Acting and the Church Drama Team

Incorporating Drama into Your Church’s Ministry Program

Don' Call Us...We'll Call You!

You're Fired!

Cross Where and
Don't Break What?

Let Me Check...
I'm Only the Assistant Director

Auditions Tonight!

Seven Deadly Sins of Directing

Finding Your Character from the Inside Out

Invitation to Intimacy

Your Kids Are Doing What?

Why Some Christmas Dramas are Doomed for Disaster

Networking

A Stones Throw Away

How to Take it From the Page to the Stage

What to do When the Unexpected Happens on Stage

Do You Know Where You're Coming From?

What Your Kids Get From Drama Ministry

What to do When Your Drama Team Doesn't Care Anymore!

What Else Can I Do?

Clearly Your Intention…

Moving Past the Red

Time for a Creative Boost

What Makes Dialogue Good?

Alone on Stage

The Physical Actor

10 Things to do Before Your Performance

Background Acting

Extraordinary Lessons from Peculiar People

The Drama Retreat

Tech Talk: Costumes
Jeni Fabian's costume book recommendations

Telling A Great Tale

Lights, Camera, Worship?

Drama Ministry for the Masses

Don't Panic

Tech Booth

 

 


featured article from the september 2004 issue

Let me check... !
I'm only the

Assistant Director
by Trey Duke

I would really like to add a few things to my character…is that okay?” If you are, or ever have been, the assistant director in a production you know what a sticky situation a question like this can put you in. Do you assert the leadership given to you and answer what you think, or do you sheepishly tell the actor you are not sure and that he should check with the “real” director.

Being a good assistant director is extremely important to the quality of a production, and to the sanity of a director. In many theatrical presentations, especially church dramas, it is usually left up to one person to pull together every aspect of the show. Sets, costumes, actors, and technical needs all fall on the “to do” list of a single individual. This makes it so important, and appreciated, when a person can come in and help lighten the load. If you find yourself with the title, “Assistant Director” there are a few things you can do to insure you are being used to your fullest capacity while helping create a great production.

#1) BE CONSISTENT!

If you want to be a good assistant that the director can call on and trust, you have to prove your desire to do it. Most directors are very protective of their shows, and are not always willing to throw the reins over to just anyone. Do not be offended when you are asked to do smaller task that you may not have planned on doing. Remember, you are trying to show the director that you are trustworthy, dependable, and able to get the job done.

If you are consistent to do what you are asked to do, and be where you say you will be, you will gain the confidence of the director. Over time your consistency will lead to the director’s trust.

#2) BE CAREFUL!

Once you have gained the trust of the director and he begins to give you more of a directorial role, be careful! Do not abuse the little power that has been given to you. The director will quickly notice if you begin to overstep boundaries or become power hungry. Use common sense and good judgment when making decisions. There is nothing worse than telling an actor to do something specific then having the director tell them to do the opposite. This is embarrassing for you, and confusing for the actors. When you have ideas, go to the director first. Remember that you are there to help him. Over time you will begin to understand how the director thinks and the best way to help him.

#3) BE CONFIDENT

The time has finally come! The director has asked you to lead a rehearsal or work with a few actors. When you find yourself in this position be confident in your role. The director trusts your ability otherwise; he would not have given you the task. Do not second guess your decisions, or act unsure with the actors. This will only make the actors feel like your decisions are not best, and could lead to problems in the future for both you and the director. Be confident in your role, and do your best to improve the quality of the production.

A good assistant director in invaluable to a show. Being consistent, careful, and confident will ease the stress of any director. Never forget that your goal in assisting should be the same as the director’s goal in directing…a great production!

 

 

 
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